I began Shrinkwrap in late 2007 and finished it early this year as a poem; only later was it set to music, unlike most of the other songs I’ve written, which have started as musical ideas. I created some animated sequences (frame-by-frame in PhotoShop) and tried out some keyframe-triggered effects while editing the video. Susan shot most of the footage (with Rob providing the meat). Here are two links: to the song and lyrics; and to the YouTube video. The video also contains short excerpts from another version of the song (in the intro and ending sequences), which otherwise shall remain unpublished. Thanks to Joe at Tony’s Barber Stylist on Linden Avenue in Ithaca for playing the barber in our haircut scene.

We drove down to Merion, PA during Spring Break, to visit the Barnes Foundation before its extensive collection of artworks is dismantled and shipped to Philadelphia. I made a short movie with my Flip video camcorder of the trip; of course this meant I needed to write a soundtrack for the movie. One thing led to another, so here is the music video derived from the movie. I experimented with the “protest” song genre, so hopefully, it sounds a bit familiar, without being explicitly stolen from anything in particular. There are two links here: one for the SoundCloud link and the other for the YouTube video (remixed Aug. 24, 2019).

Ran Thru My Mind represents another experiment with live recording and videography. This is another “old” song (written circa 1980), but recorded for the first time in March 2008. Unlike the “live” recording of Almost Doesn’t Count, this one has some basic tracks (drums, bass, piano) pre-recorded on GarageBand before the “live” guitar and vocals are recorded. Hence the headphones in the video. Like the last one, the one-take videography is by Susan Schwartz; I did the editing on Final Cut Express. See video.

I wrote Almost Doesn’t Count in 1978, so this recording marks a 30th anniversary of sorts. After trying a few arrangements with drums, bass, and so on, I decided to just play the song live, using a single mic and acoustic guitar, pretty much as it was originally written. I asked Susan to film the project while I recorded to a single track on GarageBand (you can see my salvaged eMac in the background). She used my new pocket-size Flip video recorder, also in a single take; the result can be seen courtesy of YouTube. Videography: Susan Schwartz.