Author Archives: jonochshorn

About jonochshorn

Jonathan Ochshorn is a singer-songwriter, registered architect, and Phius Passive House Consultant with an academic background in structural engineering and urban design as well as architecture. He has taught at Cornell University since 1988, and before that at the City College of New York while working with community groups in New York City. He is the author of OMA's Milstein Hall: A Case Study of Architectural Failure; Building Bad: How Architectural Utility is Constrained by Politics and Damaged by Expression (Lund Humphries, 2021); three editions of the textbook, Structural Elements for Architects and Builders; and numerous essays and chapters on building technology in relation to design.

How the Crit Room and Room 261 E. Sibley got their exits

As Milstein Hall — part of Cornell University’s growing collection of buildings by Pritzker Laureates* — continues to crumble, crack, delaminate, effloresce, and otherwise betray its designers’ indifference to the actual matter** of building, Cornell is slowly addressing some fire safety problems that were an integral part of Milstein’s design legacy. Below are two videos that explain how the Crit Room in Milstein Hall and Room 261 in adjacent Sibley Hall got their second fire exits.

*Cornell’s collection of buildings by Pritzker Laureates includes — in order of appearance — Gordon Bunshaft’s Uris Hall, I.M. Pei’s Johnson Museum, James Sirling’s Schwartz Center for the Performing Arts, Richard Meier’s Weill Hall, Rem Koolhaas’s Milstein Hall, and Thom Mayne’s Gates Hall.

** I use the term “matter” in the following sense: “We consider that an Edifice is a Kind of Body consisting, like all other Bodies, of Design and of Matter; the first is produced by the Thought, the other by Nature; so that the one is to be provided by the Application and Contrivance of the Mind, and the other by due Preparation and Choice. And we further reflected, that neither the one nor the other of itself was sufficient, without the Hand of an experienced Artificer, that knew how to form his Materials after a just Design.” From the preface to Alberti’s On the Art of Building, printed by Edward Owen, London, in 1755 (a translation of the original text from 1485) and accessed online 3/15/15.

More icicles — this time hovering over Klarman Hall

It’s been a record-breaking cold February here in Ithaca, and icicles seem to be appearing at the eaves of many campus buildings, including Goldwin Smith Hall. This is of interest because the building just received a new slate roof as part of a major construction project that includes the addition of Klarman Hall. One wonders if this situation will be remedied by the installation of roof insulation, or whether it represents a willful neglect of energy conservation in the interests of expediency. I guess we’ll know next winter, after Klarman Hall is completed.

One more glass box touted as a sustainable design (LEED Platinum, no less!), with photos of icicles all around Goldwin Smith Hall taken in Feb. 2015.

One more glass box touted as sustainable architecture (LEED Platinum, no less!), contrasted with photos of icicles all around Goldwin Smith Hall taken in Feb. 2015 (Klarman Hall collage assembled from Cornell’s website; icicle photos by J. Ochshorn).

Aside from the energy concern, one also wonders what happens when such icicles (assuming that their existence is not threatened by some serious attention to energy conservation measures in the old building) fall on the skylights of Klarman Hall. Modern glazing is specified so as not to shatter or crack under such impact loads, but it still could be a tad disconcerting for those enjoying the heated spaces below when these large shards of ice crash onto the skylights. The plan below shows that the line of the eaves of Goldwin Smith Hall extends over the skylit spaces of Klarman Hall.

Plan of Klarman Hall (https://as.cornell.edu/klarman-hall/) showing that the eaves (with icicles) extend over the glazing of Klarman Hall

Plan of Klarman Hall (https://as.cornell.edu/klarman-hall/) showing that the eaves of Goldwin Smith Hall  (with icicles) extend over the glazing of Klarman Hall

It’s always interesting to see how Cornell presents its sustainable buildings to the public, in this case advertising Klarman Hall’s “cutting-edge environmental technologies” (accessed 2/27/15). These technologies include the following:

“Occupancy and daylight sensors to reduce the demand for electric lighting.” This is a proven technology that should result in some energy savings, but has nothing to do with the architectural design. In other words, it is always possible to make an energy-inefficient design less energy-inefficient by using advanced technological systems, but such a strategy allows architects to continue behaving badly (“Basically, the current green and sustainability craze can be summed up as architects and engineers behaving badly.”). Also, a word of caution about daylighting assumptions: “…it is common to assume that if the target illuminance is met 80 percent of the time over 50 percent of the floor area, then the electric lights will not be used over this floor area. This is assumed to be a nearly 50 percent saving in lighting energy use. The reality of many offices is that they have blinds for times when the light from outside is too bright, and these are not adjusted because it is easier to switch on and off the lights. It is also common to find that the lights are on when the daylight is well above the target level.” (Michael Donn, “BIM and the Predesign Process: Modeling the Unknown,” Karen Kensek and Douglas Noble, eds., Building Information Modeling: BIM in Current and Future Practice, Wiley, 2014, p.152)

“Extensive green roof systems on top of the office blocks to reduce heating and cooling needs.” Green roofs do not reduce heating and cooling needs, unless one ignores the (cheaper) alternative of using insulation to replace the engineered soil media characteristic of such roofs. In fact, conventional rigid insulation works much better than “green roof” material to reduce heating and cooling loads. It should also be noted that an extensive green roof is more or less equivalent to painting the roof green: sedums will be planted in less than 3 inches of an engineered “soil” medium (that looks more like gravel than actual soil); this is just decoration rather than a serious effort to reduce storm water flows during major rain events or to increase bio-diversity on campus. To accomplish such things, a so-called intensive green roof — heavier and deeper than the one being built — would be necessary.

“High performance glazing and optimized shading over the atrium to reduce solar heat gain.” This is quite brilliant: first create an energy-inefficient and uncomfortable glass box, and then buy really expensive glazing and shading devices so that it is not quite as as energy-inefficient and uncomfortable as it would have been otherwise. Such is the state of sustainable design at Cornell.

“Light wells to allow daylight to penetrate the office block interior.” Possibly a good idea and possibly not. Would modern LED lighting for the offices use more or less energy than what is lost 24/7 by the thermally-inefficient glazing that brings in the light? Only a number-crunching exercise reveals whether this actually is a useful idea.

“A heat recovery unit to recapture heat energy from the return air system in the offices.” Seems like a good idea, but has nothing to do with the architectural design.

“A radiant floor system in the atrium to provide heat.” And how much heat is required during our long Ithaca winters when so much of the the enclosure system consists of thermally-inefficient glazing? Is this really supposed to represent a sustainable (energy-efficient) strategy?

“Variable air volume (VAV) technology to provide energy efficient ventilation.” Fine. Compared to fixed volume systems, VAV systems are more energy-efficient. Still, this says nothing about the underlying strategy of building a glass box that not only receives overhead and southern sun in the summer (requiring considerable mediation by HVAC systems) but also exposes a considerable surface area of glazing to the cold winter weather.

“Chilled water from the campus’ lake source cooling system to reduce cooling requirements.” No, this doesn’t reduce cooling requirements, but rather makes the required cooling less expensive by using cold water from Cayuga Lake instead of using electricity to run chillers. Cornell gets lots of LEED points for all of its “sustainable” building projects by using chilled water from its lake source cooling facility. This, of course, has nothing to do with the architectural design of the building, and raises other questions about the environmental impact on Cayuga Lake.

“Chilled beams to provide energy efficient heating and cooling to the offices.” OK. Good idea. But again, this has nothing to do with the architectural design of the building.

Icicles at Gates Hall

[updated below] It’s been quite cold in Ithaca this February, but that alone would not explain the presence of icicles in the middle of the soffit at the entrance of Gates Hall, the new computer science building at Cornell designed by Thom Mayne and Morphosis.

Could be a busted pipe — a fire sprinkler pipe burst at Richard Meier’s Weill Hall at Cornell a couple of years ago — or even leakage of warm humidified air from the space above. Don’t know yet, but will try to find out the cause.

[Update: Feb. 16, 2015] Facilities managers at Cornell, in response to my inquiry, have told me that the problem originated with a frozen/broken secondary roof drain pipe — this pipe presumably started off (and was poorly insulated) above heated interior space, and then moved into unheated space, where the melted snow from the roof froze again, causing the pipe to fail.

I’ve Gotta Get a Message to You

I allow myself the pleasure of recording one “cover”* only after writing an original song. So here’s my take on the Bee Gees from 1968:

* I’ve been recording these covers sequentially (i.e., one from each year), starting with 1963’s Surfer Girl. Each year features a different song and a different artist that were important to me in some way. Eventually, I hope to reach the current year, or at least the twenty-first century, but — with my somewhat arbitrary recording rules (see above) — I will need to write quite a few original songs, and I tend to struggle with those…

Between the Lines

I’ve been working on this new song for a while. After struggling with both the words and music for months, I recorded the song at home in December 2014, then brought it to Brooklyn so that brother Kurt could help me with the mix (I tend to use Logic Pro’s default settings for everything, whereas Kurt actually knows what he’s doing), and finally tweaked the relative volumes of the vocal, background vocals, and guitar by myself at home just a few days ago.

I shot the video in about 15 minutes using my black background cloth and my low-resolution Flip camcorder, and edited it with Final Cut Express yesterday.

 

Between the Lines
Words and music © 2014 J. Ochshorn

verse 1. i thought i knew a lot about you
what you’re wishing and how you move in space
where your phone is when it’s missing
from its normal resting place

verse 2. i guess it’s really not that simple
the plot’s not unraveled and much remains unsaid
like a road that’s rarely traveled
like a story half unread

chorus
(no no no) don’t make me guess
(whoa whoa whoa) what’s on your mind
i can’t find the meaning in your symbols and your signs
don’t make me read between the lines

verse 3. what’s the point of this interrogation
when nothing’s been proven with your third degree
you just seem to keep on moving
in and out of misery [chorus]

bridge
please don’t make me jump to these conclusions
or search for sense in your allusions
it’s hard for me to deal with these confusions

verse 4. so i’m looking for a point of entry
unencumbered to a different mode
show me how your password’s numbered
tell me how to break the code [chorus]

My Calculator

My old calculator recently showed up in a Dept. of Architecture hallway exhibit of faculty “accessories”:

Here’s the text: “I’m interested in the relationship between technology and design. Increasingly, I’ve become more and more convinced that design practice and pedagogy, abstracted from contemporary technological paradigms, are complicit in an ongoing epidemic of nonstructural building failure. The calculator, which I purchased around 1988 when I first started teaching at Cornell, counters the never-ending circus of architectural expression with an attention to the real forces that impinge upon such heroic fantasies.”

Last Night Live

Well, thirty years sure goes fast. This being the 30th anniversary of a song that I wrote in 1984 and recorded with the rock group, ROLLO, I figured a tribute of sorts was in order. So here is a new, acoustic, live version of Last Night.

See my music webpage for links to lyrics, a Soundcloud upload of the original 1980s ROLLO version of the song, and, of course, lots of other original songs (plus a few covers).

Bad news for Miami

Miami got two pieces of bad news on July 11, 2014: on the one hand, Lebron James opted to leave the Miami Heat and return to Cleveland; on the other hand, Miami will soon be under water due to rising sea levels caused by global warming.

Only one of these two stories was deemed worthy of coverage by the NY Times.

The Guardian published a story about rising sea levels and their impact on Miami (left); the NY Times worried more about the impact of losing LeBron James to Cleveland.