more on Milstein

Once Milstein Hall gets a certificate of occupancy, it becomes an “existing building” and therefore becomes subject to the current building code (the Existing Buiding Code of New York State) when and if any future alterations are proposed.

I believe that certain ideas for future alterations, for example, putting some or all of the Fine Arts Library in Milstein, or even making certain alterations in E. Sibley Hall, would not be possible, since any such alterations involving a change of occupancy group to a higher hazard category would need to comply with the height and area requirements of the current code — specifically chapter 5 of the Building Code of New York State — under which Milstein-Sibley is nonconforming.

It has always puzzled me why the University would choose to construct a building that is nonconforming with respect to current fire safety codes; the probability that such nonconformance would make the building relatively inflexible with respect to future alterations adds a new and important concern. In light of this, I have again suggested to various University administrators that they put this project on hold, so that this issue, and many others, can be more carefully considered and evaluated.

maybe

Here’s a new song called maybe. The lyrics include the following rhyme scheme spread out over three chorus sections: confusing-turning-keep her / losing-yearning-cheaper / refusing-squirming-sleeper / defusing-churning-sweeper / bruising-burning-deeper / choosing-learning-steeper. This song features my first and only harmonica solo.

milstein hall at cornell

I became concerned about building code issues with the proposed Milstein Hall project at Cornell after examining some schematic plans distributed by the new Dean. Specifically, the proposed building (actually an addition to Sibley and Rand Halls) seemed to be noncompliant with the NY State Building Code in several respects: blocking access to fresh air required for natural ventilation in Sibley and Rand Halls, and exceeding allowable limits for building area.

I subsequently discovered that the usual requirements for a fire wall between the addition and the existing buildings do not apply as a result of a peculiar amendment added to an old version of the NY State Building Code, even though Milstein Hall remains nonconforming under the current code. As no one seemed to be paying attention to my concerns (neither building department officials nor Cornell administrators), I provided some comments on building code issues as part of the City’s review of the project’s Draft Environmental Impact Statement (DEIS). Cornell responded by addressing most of my concerns in the Final EIS, while simultaneously denying that my reasoning was correct. I therefore sent in some comments on their responses to my original comments.

I remain convinced that the college and university would be better off if they put the Milstein Hall project on hold. Putting this project on hold would in no way threaten accreditation, if the following actions are taken:

1. Complete the construction of ADA-compliant elevators in Sibley Hall; begin the construction of an ADA-compliant elevator in Rand Hall (already designed as part of the Milstein Hall project).

2. Temporarily relocate Fine Arts Library books from the E. Sibley Hall wings to the Dome (which can accommodate many more books) and the library annex. Reclaim this vacated space in E. Sibley for additional architecture program needs (studios, etc.).

After these relatively simple and inexpensive steps are taken, the university may consider a more rational and permanent solution to departmental, college, and university needs in a way consistent with economic conditions and fund-raising prospects. In my view, a reasonable solution would include the following steps:

1. Build a straight-foward and inexpensive addition behind Sibley Dome containing a new Fine Arts library, and additional program space for the college. Coordinate with the proposed parking structure.

2. After this addition is completed, the space under Sibley Dome can be renovated into a major university auditorium, as it once was, accessible from the arts quad.sibley hall auditorium

3. Finally, the spaces in E. Sibley and Rand Hall can be upgraded with new mechanical systems and improvements in the building envelope.

These three steps would match all the important programmatic requirements currently imbedded within the Milstein Hall project, but at far lower cost, a more appropriate use of available resources, greater sensitivity to the historic structures in the area, and a reclamation of underutilized space in Sibley Hall. Such a plan would also finally improve conditions for the library, and for Rand and Sibley, all at lower cost than what is being proposed currently for only the Milstein Hall project.

However, other options — even options that modify the current OMA design for Milstein by reconsidering the cantilever, glass elevator, and glass auditorium — would remain possible under this scenario.

jaywalking

Jaywalking is a song that I wrote in the early 1980s — the exact date of the copyright is buried somewhere in a box up in the attic, part of a “compilation” of songs sent to the copyright office in one bunch to save money, and therefore not searchable on the official copyright web site 1979 — but never before recorded. I tried shooting a video of me actually jaywalking, but the Ithaca backdrop just didn’t look right. Plus, the act of jaywalking is meant to be taken metaphorically anyway, so I ended up just sitting down at the keyboards in front of my computer, using its built-in iSight camera. Check out the YouTube video, or, alternatively, go directly to my Jaywalking music webpage.

i can give you love

Looking through old cassette tapes one day a few years back, I found some preliminary versions of songs that I had written, and then forgotten about. One of them interested me, so I re-learned it, and recently recorded it (officially) for the first time. I’m guessing it was composed circa 1983. I shot a bare-bones YouTube video with my flip recorder (remixed Dec. 1, 2018).

tunnel of love video

Two new videos are now available for your viewing pleasure. The first is a 22-second unedited file straight from my Flip camera to you, shot while waiting at Nathan’s in Coney Island last summer. The second is a music video for Tunnel of Love, a 1980 composition that I recorded last year (remixed Feb. 24, 2018), and for which I shot all the video and created several animated sequences. For those of you with modern computers and high-speed internet connections, please click the “watch in high quality” link when you get to the YouTube page (the link is located at the bottom right of the video window).

Details for some of the still images and animations in the Tunnel of Love video are as follows: the tunnel image comes from the Eagle’s Nest (Kehlsteinhaus), a chalet in the German Alps built as a 50th birthday present for Adolf Hitler; the superimposed semi-circular “tunnel of love” text is extracted from an image of an actual tunnel of love whose location I was unable to determine; the phallic stone turret containing the dancers is part of The Fuerta San Felipe del Morro, constructed in 1539 in Puerto Rico; the animated dancers are based on an image of four Boca Raton salsa dancers, apparently shot at an event for “4over, Inc.” (a wholesale trade printing company whose corporate office is in Glendale, California); the two painting fragments are based on Salvador Dali’s “The Persistence of Memory” (1931), and Hieronymus Bosch’s “The Garden of Earthly Delights” (1504); and the animated dueling trumpeters are loosely based on images of Miles Davis (from the “Tribute to Jack Johnson” album cover of 1970) and Dizzy Gillespie. By the way, for all you trumpet players, the musical notation accompanying the trumpet solo is an accurate transcription, created on GarageBand based on my midi keyboard improvisation, and transfered to the video by (a) executing a screen capture of the musical notation displayed on GarageBand, (b) cleaning up the image and making the background transparent in PhotoShop, and (c) importing the image into Final Cut Express, where it was motion keyframed in sync with the music.

structural calculators

I’ve been working on some structural calculators lately, using some new software to convert Excel spreadsheets into HTML (web) applications. Examples include wood column design, wind and seismic load calculations, and steel beam design. I’ve always wanted to develop web-based calculators that would allow anyone with a browser to solve various structural problems; with this new software, I can develop the applications in Excel and have the JavaScript code created automatically, saving me the effort of learning to write such code myself. Some of you may be interested in checking out the software that does the conversion.

squints on a triple

The song, Squints on a Triple, is based on a true story: my daughter Jennie beat me in a game of Scrabble by putting the word “squints” on a triple word square on her last turn. Scrabble fans know that putting the letter “Q” on a triple word square generates many points; having the letter “Q” simultaneously on a double letter square makes the points scored even greater, and the pain of defeat that much more severe. Warning: song contains some metaphorical content.