I wrote and recorded a new song, sort of country (not being a connoisseur of such music, I have to say “sort of country,” leaving it to others more into the genre to verify whether it is or isn’t). As usual, there’s a YouTube video and other production notes. I’m singing all the vocals, and playing all instruments (some of which, especially drums and bass, are played on a midi keyboard using GarageBand digital sounds). The video is shot with my low-resolution Flip camcorder and edited with Final Cut Express. Remixed Sept. 2, 2019.
undercover at architecture lecture
Architecture Studio Presentations at Cornell were held Jan. 24, 2011 from 12:30 – 4:30 p.m. in the James Law Auditorium, Schurman Hall (at the Vet School). All students and faculty were required to attend. It’s interesting to watch how our modern students pay attention in classrooms and lecture halls these days: a view from above would reveal hundreds of iPhones, smart phones, tablets, and other electronic devices connecting students (and possibly faculty…) with their email, their games, and with who knows what else.
I shot this video from the back of the lecture hall; some faces are blocked out to protect the digitally addicted.
milstein – uris comparison
Walking across Cornell’s campus the other day, I was struck by the similarity between Uris Hall, designed by Gordon Bunshaft (Skidmore, Owings & Merrill) in the 1970s, and Paul Milstein Hall, designed by Rem Koolhaas (Office for Metropolitan Architecture – OMA) in the 2000s.
Both buildings consist of large, essentially square, floor plates supported by rigid frames (vierendeel trusses) lifted off the ground and cantilevered in dramatic fashion from their points of support. Both buildings also hover over large, below-grade, auditoriums: in the case of Uris Hall, the auditorium sits politely under the podium; in Milstein Hall, the auditorium rides a reinforced concrete dome that seems to burst through the ground plane. Both buildings mediate their cantilevered steel superstructures and highly-articulated bases with a glass wrapper designed to enclose space and provide an entry at grade without compromising the visual articulation of superstructure and base.
test version of new song: mirror’s eye
I collaborated with Dan Smullyan to write a new Rollo song. As of now, it has turned into something which could be called I Stare Into the Mirror’s Eyes. I’m still hoping it can be recorded by Rollo; for now, here is my live demo version.
mister nobody
I recorded this song a couple of years ago, but never made a video. Jennie wrote the lyrics, and I wrote the music. Never quite happy with my GarageBand “trumpet” solo, I finally got brother Kurt to add some lead guitar (he also helped out on the new GarageBand mix). Here is the Youtube video along with lyrics and production notes. Remixed Sept. 1, 2019.
new milstein hall construction videos
I have been shooting video with my low-resolution Flip camcorder to document the construction of Paul Milstein Hall at Cornell University. Two new segments have been put online; links can be found here.
Code compliance issues in E. Sibley Hall, Cornell
Following is a transcription of an email that I wrote to the Dean of the College of Art, Architecture, & Planning at Cornell University on Sept. 6, 2010 (copied to the Assistant Dean for Administration, AA&P; the Project Director for Milstein Hall; and the Building Commissioner and Deputy Building Commissioner of the City of Ithaca) [9/10/10 updates below]:
Portions of East Sibley and Rand Halls are in serious danger of being noncompliant with the NYS Building Code, and their ability to remain occupied for library, studio/classroom, and office use may be in jeopardy.
Once the floor/roof structure of Milstein Hall is in place, two things immediately occur that threaten the continued occupation of the adjacent, connected buildings.
First, all covered space under the structure of Milstein Hall counts as building area for Sibley Hall whether or not those spaces are enclosed, since a fire barrier is not yet in place to separate the two structures. Under these current circumstances, East Sibley Hall contains floors whose areas — that is, the combined, unseparated, floor areas of East Sibley and Milstein Halls — exceed that allowed by the Code, given the limits imposed by the governing V-B construction type for Sibley Hall.
Second, once the floor/roof structure of Milstein Hall is in place, the windows in Sibley Hall under these covered spaces no longer function as openable windows for the purpose of natural ventilation. I understand that Cornell and City of Ithaca Code Enforcement officials have challenged this contention, but I must insist that it remains true. As I pointed out previously, the Code limits natural ventilation to windows opening to “yards” or “courts.” Yards and courts must be “uncovered space, unobstructed to the sky” (see chapter 2 definitions in the Code). The Code does not permit windows used for natural ventilation to open into any other type of spatial geometry, whether or not “outdoor air” can somehow work its way to the window opening. The Commentary to the Code (written for the International Building Code, or IBC, from which the NYS Code derives) is absolutely unambiguous: “In order that adequate air movement will be provided through openings to naturally ventilated rooms, the openings must directly connect to yards or courts with the minimum dimensions specified in Section 1206” (Commentary for Section 1203.4.3 Openings on yards or courts). Since the openings “must directly connect to yards or courts” and since yards and courts must be “uncovered space, unobstructed to the sky,” the East Sibley windows at or below the second-floor of Milstein do not provide natural ventilation. Without mechanical ventilation that meets the criteria specified in the New York State Mechanical Code, the rooms are noncompliant and should not be occupied. In prior emails, I have outlined why the ad hoc provision of room air conditioner units or fans does not satisfy the requirements of the Mechanical Code. Yet aside from such rooms, it is clear that classrooms (e.g., 142-144 ES) or library spaces (e.g., the entire second-floor F.A.L. In E. Sibley) that have absolutely no mechanical ventilation will certainly not meet those Code requirements.
The second floor of Rand Hall, due to changes in the window configuration that have reduced the openable area, also has problems meeting Code criteria for natural ventilation. The current second-floor studio area (field measurements taken 9/3/10, excluding enclosed computer rooms, etc.) encompasses 5,259 square feet. The required vent area from openable windows is 4% of 5,259, or 210.4 square feet. However, the actual available vent area from openable windows, equal to 15 windows times 11.625 square feet of vent area per window, is only 174.4 square feet total. This is clearly noncompliant, and yet no mechanical ventilation is being planned for the studio space [see prior comments].
It is not my intention to speculate as to why East Sibley Hall and the second floor of Rand Hall are being occupied in spite of these apparent Code violations (lack of required ventilation in Rand and East Sibley Halls; and lack of fire barrier protection in East Sibley Hall). But whatever the reasons, the problems need to be addressed. It seems to me that either the noncompliant spaces should be vacated until Sibley/Milstein/Rand Hall is completed, or the twin problems of ventilation and fire protection should be corrected immediately.
Update 1 (9/10/10):
Two passages from NFPA 241: Standard for Safeguarding Construction, Alteration, and Demolition Operations (1996 version quoted here) support my argument about the immediate need for a fire barrier (the NFPA standard mentions “fire wall,” but the same logic applies to a “fire barrier” used as a substitute for a fire wall) between Sibley Hall and Milstein Hall:
1-1.1
Fires during construction, alteration, or demolition operations are an ever-present threat. The fire potential is inherently greater during these operations than in the completed structure due to previous occupancy hazard and the presence of large quantities of combustible materials and debris, together with such ignition sources as temporary heating devices, cutting/welding/plumber’s torch operations, open fires, and smoking. The threat of arson is also greater during construction and demolition operations due to the availability of combustible materials on-site and the open access.
6-6 Fire Cutoffs.
Fire walls and exit stairways, where required for the completed building, shall be given construction priority for installation… [and yes, the fire barrier is required for the completed building].
Update 2 (9/10/10):
I want to clarify that both of the actions I am recommending (mechanical ventilation for E. Sibley Hall rooms adjacent to Milstein Hall; and installation of a fire barrier in all E. Sibley Hall windows adjacent to Milstein Hall) are already part of the Milstein Hall scope of work. The issue is not whether they are required — they are both required and included in the Milstein Hall budget — but whether E. Sibley Hall can remain occupied during construction without these two items being put into place. In my view, the Code is clear on both issues: E. Sibley Hall should not remain occupied without adequate provision for ventilation and fire protection.
Furthermore, since both of these items are already part of the Milstein Hall scope of work, it is absolutely incomprehensible why the project’s phasing plan did not prioritize these two items so that E. Sibley Hall could remain safely occupied during construction. Well, actually, it is not so incomprehensible: the initial plans and specifications submitted to the City of Ithaca Building Department for a building permit included neither a proper fire barrier nor adequate mechanical ventilation for Sibley Hall. It was only after I raised objections through the FEIS comment process that the architects for Milstein Hall extended their fire barrier to the first and basement floors of Sibley Hall, and accepted the need for mechanical ventilation in Sibley Hall (after deciding to put fixed fire-rated glazing in all E. Sibley windows adjacent to Milstein). These architects still have not admitted that natural ventilation from windows under Milstein Hall is no longer a possibility given Code requirements for “yards” and “courts” adjacent to all windows used for natural ventilation; and continue to maintain that it is only because of the fixed glazing required for their fire barrier design that mechanical ventilation becomes necessary.
Construction of Milstein Hall
I’ve just posted the first of a series of informal “construction” videos showing how Paul Milstein Hall (OMA/Rem Koolhaas) at Cornell University is being built. The homepage for the anticipated video series is here. Ultimately, I hope to add additional short videos dealing in turn with substructure, superstructure, and enclosure systems.
The first video, “Getting Ready,” shows some of the preliminary site work and underpinning of adjacent buildings that occurred prior to the actual start of foundation work.
These videos are purely educational and informative in nature: after all, in spite of the numerous problems that this building has, some of which I have discussed elsewhere on this blog (also here), it’s construction is actually quite interesting and in many ways unusual.
Given my prior and continuing criticism of the Milstein Hall design, I would like to acknowledge the support for this video project by the College of Architecture, Art & Planning (Dean Kent Kleinman) and the Construction Manager (Welliver McGuire). Of course, there is a contractual stipulation that some form of educational outreach must be provided along with the actual construction of the building — so my video project proposal, having little if any competition from other faculty initiatives, may have been viewed as a necessity to fulfill this contractual obligation. In any case, I appreciate the support I’ve been given. Disclaimer: Any views or opinions expressed on these videos are entirely my own (except where views or opinions are expressed directly by other people appearing in the videos), and are not necessarily the views of Cornell University, OMA, or any of the consultants, subcontractors, or construction managers involved in the construction of Paul Milstein Hall
Note: links to other Milstein posts updated May 5, 2011.
one life
I’ve just made a new video for a song I wrote in 2003 and recorded in 2008. Included is some Flip video footage from the 2009 World Series in which C.C. Sabathia waves off the curve ball and instead throws an unfortunate two-strike fast ball to Chase Utley — cheerleader “Rudy” Giuliani is watching from the stands and Tim McCarver is telling the world how difficult it is to get a two-strike fastball past Mr. Utley. I was lucky enough to film this perfect scene for my verse #3 lyric (“Catcher wants a breaking ball; pitcher’s waving off the call…”). The YouTube video for One Life (Is All You Get) is here. Remixed Dec. 1, 2018.
Rebuild Boardman Hall
The engineering library is to be closed at Cornell, since virtually all library activity in the college is electronic (see Chronicle article here) [UPDATE 8/13/10: two additional libraries at Cornell being consolidated with the ILR library; see Chronicle article here]. The Fine Arts Library is being largely dismantled and moved to Cornell’s library annex, but only in preparation for its rebirth in Rand Hall, a puzzling decision that I criticized in more detail here.
With the need for great quantities of prime library space increasingly in doubt, Cornell’s bad decision to demolish Boardman Hall in 1958 — in order to build the much larger Olin graduate library on the Arts Quad — should now be seriously revisited. This is a unique opportunity to begin planning to heal the wound that was inflicted on the Quad, an opportunity that may never present itself again.
Cornell’s planning and architectural decisions after Word War II have largely been disastrous; in fact, the architectural beauty of the campus is almost entirely due to the pre-WW II infrastructure that remains in place. The Arts Quad, in particular, is one of the greatest such assemblages of buildings in America, and would become absolutely spectacular if its southern edge could once again be defined by Boardman Hall, designed by the same architect, William Henry Miller, who designed Uris Library. Miller was an early graduate of Cornell’s architecture program in the 1870s.
Preserving and enhancing Cornell’s historic buildings and districts has apparently not been a priority. The recent expansion of housing adjacent to the neo-Gothic West Campus dormitories (originally Baker Court, 1916) and beyond Balch Hall in North Campus (1927) has done to these campus quadrants what Olin Library has done to the Arts Quad. It would be a remarkable and unique decision to take advantage of the imminent reduction in library space needs by actually doing something important for the long-term future of the campus.







