Author Archives: jonochshorn

About jonochshorn

Jonathan Ochshorn is a singer-songwriter, registered architect, and Phius Passive House Consultant with an academic background in structural engineering and urban design as well as architecture. He has taught at Cornell University since 1988, and before that at the City College of New York while working with community groups in New York City. He is the author of OMA's Milstein Hall: A Case Study of Architectural Failure; Building Bad: How Architectural Utility is Constrained by Politics and Damaged by Expression (Lund Humphries, 2021); three editions of the textbook, Structural Elements for Architects and Builders; and numerous essays and chapters on building technology in relation to design.

so long

This is my first recording of an old song that was left unfinished for many years. I had only an idea for the beginning of the first verse and for the chorus, probably about 25 years ago, but never got around to finishing it until now. View the lyrics, production notes, and see the embedded video here, remixed Aug. 26, 2019. Want a dynamic, transcribable chord chart for the song? It’s here.

hole in floor

You’d think it would easy to put a hole in a floor of a building, but it isn’t. The building code (here I’m talking about the International Building Code, or IBC, latest 2009 version) is organized so that code enforcement people can check whether plans for buildings are in compliance with the code, rather than being organized so that architects can figure out what is or is not possible.

image of hole in floor

image of hole in floor

I made a calculator to help designers figure out whether their proposed holes, connecting two or more floors in a building, are in compliance with the 2009 IBC (similar to earlier versions). I also provide a more detailed discussion of the logic behind making such holes, with an invitation for those more expert than myself to clarify some puzzling code issues.

Anyone

This new live video of my song, Anyone, is a milestone of sorts: it represents the final recording of all the songs that I wrote in the late 1970s and early 1980s after graduating from college, moving to NYC, and playing with the band, Rollo. Five additional songs that I wrote during this time period were actually recorded in the 1980s for Rollo’s Don’t Look CD, and I don’t intend to record those songs again now. The song was remixed Aug. 18, 2019.

There are one or two other songs that I wrote in my more distant past (high school, to be precise), but I haven’t decided whether to record them. So this means that any new recordings will be either new compositions, old favorite — unrecorded — Rollo songs written by Dan Smullyan in the 1970s and 1980s, or maybe some new Rollo collaborations.

adaptation

I wrote this song in 2003 after seeing the movie, Adaptation (directed by Spike Jonze, screenplay by Charlie Kaufman, with Nicolas Cage, Meryl Streep, and others) and seeing some potential in doing a live musical performance of a song that is being written during the performance itself (an idea inspired by the movie). So the video of my song, Adaptation, is a re-creation of my actual performance of the song for the first time at the ABC Cafe open mic in Ithaca, NY on August 19, 2003. The ABC Cafe recently closed; I made the video by screen-capturing an image from a YouTube video of Evan D Williams performing at the ABC Cafe in 2007, carefully extracting Evan and his band from the image (no one was hurt in the process), and then adding in my performance — shot at home with my low-resolution Flip Camcorder based on a recording I made using GarageBand (both the recording and video made in March 2010). I also filmed myself as the “audience” for the song, again inspired by Nicolas Cage playing both Charlie and brother Donald Kaufman in the movie.

Remixed Aug. 18, 2019.

after all

After All was one of the first songs I wrote, in 1978, consisting of 2 verses with an instrumental break. In 2003, I added a bridge and a third verse. The song was recorded on GarageBand software; a YouTube video was shot using the built-in camera on my iMac (remixed Aug. 18, 2019).

squints on a triple

I finally got around to making a YouTube video for Squints on a Triple, a song I wrote and recorded in 2008 based on a true story concerning a game of Scrabble played with daughter Jennie (remixed Dec. 1, 2018).

At the same time, I just discovered that my recording of Squints was the winner of the 2008 BoardGameGeek.com contest for real songs that reference actual boardgames in their titles or lyrics.

this isn’t hollywood

I wrote This Isn’t Hollywood in 1981, recorded it in 2008, and just made a new video. In the video, which includes animated faces of Clark Gable, Cary Grant, Humphrey Bogart, and James Stewart, the final “celebrity” image is of a young Billy Joel, who wrote Say Goodbye to Hollywood five years earlier,  in 1976. For the record, all the moving lips are my own (remixed Dec. 2, 2018).

long distance love affair

I wrote Long Distance Love Affair in 1978 and it is, as far as I remember, the first real song I wrote. This version is recorded using acoustic guitar. My Flip camcorder was set up on its tripod, so here’s the live video with guitar, vocals, and a single mic (and some imaginary musicians joining me for the final verse; remixed Aug. 25, 2019).

Rollo digital sales hit six-figures

As of October 2009, Rollo’s digital sales have entered six-figure territory, thanks to iTunes downloads, as well as internet streaming through sites like Napster and Lala. The six “figures” can be broken down as follows:

1. “Secret Lover” streamed though Lala: payment = $0.005
2. “She Wasn’t One” streamed though Napster: payment = $0.023
3. “Secret Lover” streamed twice though Napster: payment = $0.045
4. “Last Night” streamed though Napster: payment = $0.010
5. “Love Without Pain” downloaded through iTunes-Canada: payment = $0.58
6. “Your Love” streamed though Lala: payment = $0.005

The total of these six figures is $0.669, which, according to accountants for the band, rounds up to $0.67.

“Digital sales have been a real bonanza for the band,” says keyboardist Jon Ochshorn. “While still not as significant as sales of Rollo CDs, they are becoming an increasingly important component of the band’s financial portfolio.”