Milstein Hall Code Appeal Update

My formal Code Appeal regarding fire-safety violations in Rem Koolhaas/OMA’s Milstein Hall at Cornell University was heard by the Capital Region-Syracuse Board of Review on July 18, 2013. I have placed extensive documentation concerning that appeal and the Board’s findings online.

I’ve requested that the Hearing Board re-examine four of the eight Exhibits that I filed earlier. My rationale is explained in the following emails [with contact information redacted], the first one sent to Charles Bliss, administrative representative of the Hearing Board:

From: Jonathan Ochshorn


Date: Wednesday, July 31, 2013 3:55 PM

To: Charles Bliss [Administrative representative of the NYS Uniform Fire and Building Code Capital Region-Syracuse Board of Review]


Cc: Mike Niechwiadowicz, Lawrence Burns, Ron Flynn, Tom Hoard, Kent Kleinman , Mark Cruvellier, John Siliciano, Gary Wilhelm, Bob Stundtner, Shirley Egan


Subject: Code Appeal – Petition Number 2013-0250

Hi Charlie,

As you know, Cornell presented its “Summary Responses” to my appeal (Number 2013-0250) at the Hearing itself, so that neither the Hearing Board nor myself had a chance to review their material ahead of time. Now that I have had a chance to actually review the handouts provided by Cornell, I would like to make some comments, and point out some problems with the Hearing Board findings that I hope can be resolved.

Regarding Exhibit 1: Cornell provided three “layout” plans for the Milstein Hall crit room showing various arrangements of tables and seats having no correspondence to the reality of the space’s actual or potential occupancy. As you know, Section 1003.2.2 of the Code states that occupancy is determined by the largest number computed in accordance with “actual” plans or “tabular values.” This means that Cornell’s submitted plans, by themselves, have no relevance in determining the required number of exits based on occupancy of the space since the tabulated values in the Code are larger.

Regarding Exhibit 2: While I disagree with the Hearing Board’s interpretation, I respect their judgment, based on the expert advice solicited by Cornell.

Regarding Exhibit 3: Proposal Request No. 129 (included as Attachment No. 3 by Cornell),  which is “stamped and signed by Architect and mechanical Engineer,” does not qualify under the 2002 Code as acceptable documentation proving that the installation of sprinklers satisfies ASTM E 119. Cornell, in its handout to the Hearing Board, states: “The fire-rated windows are installed by the manufacturer and comply with the testing and their installation requirements.” Reading this, one would get the impression that the installed windows are compliant with the requirements of the 2002 Code. Of course, as was admitted in the same handout: “The Architect’s Office made an error in submittal review and changed the rating of the fire-rated window assembly from 1 hour to 3/4 hour.” Therefore, the claim that the windows “comply with the testing and their installation requirements” is only true for a 3/4 hour fire-resistance rating, and not for the required 1 hour rating. That is, the statement is both irrelevant to the issue being contested as well as being misleading, since it implies that the windows are compliant when they are actually noncompliant.

I just spoke with Ken Dias [email address redacted], an Applications Specialist at Tyco (the manufacturer of the sprinkler system), on July 23, 2013. He supported all of my objections to considering the sprinkler installation as satisfying the requirements of NER-516; i.e., he agreed that these openings do not count as 1-hour fire-resistance-rated walls per ASTM E 119. In an email to me dated July 24, 2013, he writes: “You have stated that there is a horizontal mullion projecting more than 5/8″ from the glazing. It is likely that this horizontal mullion would impede the smooth continuous flow of water down the glazing and create unacceptable dry spots. Again, horizontal mullions are not allowed in accordance with the UL Specific Application Listing… You have stated that the wood framing from the original window is less than 2″ from the new glazing. The UL Listing requires that all combustible material must be a minimum 2″ from the face of glazing… Lastly, this installation is quite unique in nature as it encompasses a ‘new’ piece of glazing located off of an existing window, resulting in an ‘enclosed’ area between two pieces of glazing where one of the two WS sprinklers is located within. This arrangement was not considered in the UL testing nor is it addressed within the evaluation service reports. It should be understood that the intent of the WS Window Sprinkler is to realize activation in a timely enough manner to protect the associated glazing. The existence of two panes of glass on either side of the one WS sprinkler will result in the prevention of hot gasses to that sprinkler until such time that the original pane may rupture. Consideration should be given to what will happen to the rupturing pieces or sections of glass. Could large pieces somehow be propped up against the newer pane, causing an obstruction to the smooth flow of water down this pane?”

The Tyco specialist concludes his email as follows: “In conclusion, this installation does not appear to be in compliance with the UL Listing per Tyco data sheet TFP620, ESR-2397 or NER-516″ (emphasis added).

Cornell, in its testimony and handouts, has been extremely misleading, if not outright dishonest, in claiming that the fire barrier satisfies Code requirements. The “signed and sealed” drawings are simply engineering drawings for a sprinkler application, and, as far as I can tell, say nothing at all about satisfying requirements for a 1-hour fire rating, per NER-516 or ASTM E 119. The claim that the horizontal mullion is compliant because it is only a “muntin” seems to be a complete fabrication, with no basis in any documentation. This claim is explicitly contradicted by the technical specialist at Tyco, the manufacturer of the sprinklers. Cornell’s claim in their handout that the “fire-rated windows are installed by the manufacturer and comply with the testing and their installation requirements” is absolutely misleading and disingenuous, as these windows only provide a 3/4-hour fire-resistive rating rather than the required 1-hour rating.

The fire-barrier is also problematic in that only one-sided sprinklers were apparently installed on the basement and first-floor levels, based on requirements for exterior wall protection, rather than for fire barrier separation requirements. Yes, these are “exterior walls,” but the protection needed is not exterior wall protection; rather, since the exterior spaces under Milstein Hall count as building area, the required protection is for fire barriers, and the sprinkler installation should have been two-sided.

Regarding Exhibit 4: I disagree with the Hearing Board’s findings, but respect their determination that the lobby/bridge constitutes a mezzanine within the crit space.

Regarding Exhibit 5: As far as I can tell, the only thing upheld by the Hearing Board in its ruling on Exhibit 5 is that a fire barrier under Appendix K does allow an addition to increase the area of an existing building beyond that permitted by Chapter 5 of the Code. However, the Hearing Board, in their findings, agreed with me that the entire building consisting of Sibley, Milstein, and Rand Halls counts as Type V-B construction, based on the construction type of Sibley Hall.

The question remains as to what limits should constrain the area of such an addition. Lawrence Burns of KHA Architects answers this question in his letter reproduced as Attachment No. 4: “We believe that the requirements of nonseparated uses applies [sic] to each portion of the building and do not restrict the areas of the entire building” (emphasis added). Cornell, in their handout to the Board, makes the same point. In other words, Milstein Hall’s per-floor area, taken by itself, must still meet the requirements for nonseparated uses in the 2002 Building Code.

Therefore, even though the Board upheld the City of Ithaca Code Officials’ determination (agreeing with the City that an addition can increase the area of an existing building if separated by a fire barrier), the Board disagreed with the contention made by Cornell and the City of Ithaca that fire barriers used under Appendix K allow each fire area to be designed according to its own construction type. By insisting that the entire building be designed with construction type V-B, the Board ruling effectively establishes that Milstein Hall, all by itself, must not exceed per-floor area limits of the Code. Since Milstein Hall — considered by itself without the added area of Sibley or Rand Halls — still exceeds those area limits, it is clearly noncompliant. This is because Chapter 5 of the Code sets a per-floor area limit for nonseparated B/A-3 occupancies with Type V-B construction of 6000 square feet, which can be increased to no more than 22,500 square feet when sprinklers and the maximum possible frontage allowances are factored in. Because Milstein Hall has floor area of 25,600 square feet, it exceeds this limit and is therefore noncompliant.

Regarding Exhibit 6: Cornell has recently posted an occupancy sign in Milstein Hall’s upper level with a 530 occupant limit, thereby requiring 3 exits. There are only two compliant exits for this space, and only two exits are shown in the construction documents. The “new” change in occupancy, from “B” to combined “A-3 and B” uses, should have triggered a new building permit application under the 2010 Existing Building Code, as it apparently occurred well after Milstein Hall was completed and after a Certificate of Occupancy was issued. In any case, the new “third” exit is noncompliant for at least two reasons: it has no exit sign, and the stair in Rand Hall to which it leads violates Section K901.2 in the 2002 Code (assuming that the old Code governs), in that the addition (Milstein Hall) extends nonconforming aspects of the existing building (the exit stair).

Regarding Exhibit 7: There are a number of errors in Cornell’s handout and testimony about Room 261 in E. Sibley Hall. First, it is absolutely inappropriate and dangerous to compute the remoteness of exits within a room or area by looking only at the remoteness of exits for the building as a whole. The plan provided in Cornell’s handout shows only the remoteness calculation for E. Sibley Hall as a whole, but not for Room 261.  The idea that this room “is part of a larger space with two remote exits,” and therefore does not need to satisfy exit requirements for its own occupancy, is so completely wrong-headed and dangerous that I find it hard to believe that such statements would be put in writing by both the architect of record and the architect managing the project for Cornell.

Cornell’s plan, provided in the handout, further states that “Door 1, 2, and 3 can be opened into Milstein Hall.” First, this is factually inaccurate, as these doors are almost always locked (they are locked right now as I type this email). Second, having doors that “can be opened” is not a sufficient specification for a legal exit. For one thing, there are no exit signs marking these doors as exits; and there is no special hardware that guarantees that the doors remain unlocked (in fact, as I have just written, the opposite is true). Third, such exits would create new exiting conditions in Milstein Hall that were not part of the permitted set of drawings. A new building permit would be required and new exiting calculations would need to be provided before the doors leading from Room 261 to Milstein Hall can be used as exit doors from Sibley Hall.

Wilhelm’s testimony described the posted occupancies in Room 261 as a relic of the original pre-Milstein era, presumably when the space was occupied by the Fine Arts Library. Wilhelm stated that this posted occupancy was not something newly contrived, but rather a lingering remnant of the old occupancy. But a library stack area has a load factor of 100 square feet per occupant, or only 17 occupants for the entire room. This clearly has no relationship to the posted occupancy of 112 or 240 persons. In fact, the posted occupancy sign in Room 261 was not only recently created, but it was revised at least twice within the past year or so — well after Milstein Hall was completed. 

As it was edited and re-posted after May 9, 2012, it is clearly something done deliberately — well after the certificate of occupancy for Milstein Hall was issued on Feb. 24, 2012. It therefore should have triggered a code review under the Existing Building Code of NYS, since all changes of occupancy — even those within the same A-3 occupancy class — require Code review. Increasing the occupancy of a space from 100 square feet per occupant to 7 square feet per occupant, and thereby increasing the occupant load in the room from 17 to 300 (subsequently changed to 240) clearly is something that the Building Department should have reviewed, especially in a space with only a single legal exit.

Regarding Exhibit 8: I have already discussed the flaws in the so-called analysis provided by the architects of record for the move of the Fine Arts Library into Rand Hall’s third floor. One new claim, however, needs to be rebutted: Cornell’s handout to the Hearing Board [page eight] states that the floor-ceiling assembly separating the floors of Rand Hall is “a reinforced concrete which is accepted as an archaic 1-hour assembly.” In fact, the floor structure of Rand Hall consists of steel girders and beams which have no fire-resistive rating, as their bottom flanges are exposed and have no fire-proofing. Reinforced concrete slabs are supported by these steel beams, but in no way provide a 1-hour fire-rated separation, “archaic” or not.

I hope that the Hearing Board can re-visit these issues, based on the fact that Cornell provided inaccurate or misleading testimony in a number of instances, and provided no opportunity for these claims to [be] reviewed before the Hearing itself. I think it is important to get this right, as the safety of hundreds of students, faculty, and staff is at stake, as is the integrity of the Code process.

Jonathan Ochshorn

I then received a copy of this rather nasty letter (373 KB screen-resolution PDF) from Shirley Egan, Cornell’s Associate University Counsel. Its argument is entirely procedural; there is no attempt to address the actual fire-safety concerns that I raised.

Realizing that Cornell might attempt to keep using the noncompliant Crit Room space with only a single exit, in spite of the Hearing Board’s finding sustaining my argument that multiple exits were required from a room with so many potential occupants, I sent the following, shorter email to Charles Bliss:

From: Jonathan Ochshorn 


Sent: Tuesday, August 06, 2013 2:58 PM


To: Bliss, Charles [Administrative representative of the NYS Uniform Fire and Building Code Capital Region-Syracuse Board of Review]


Cc: Mike Niechwiadowicz, Lawrence Burns, Ron Flynn, Tom Hoard, Kent Kleinman , Mark Cruvellier, John Siliciano, Gary Wilhelm, Bob Stundtner, Shirley Egan


Subject: Re: Code Appeal – Petition Number 2013-0250

Hi Charlie,

Cornell, in its “explanation” about the occupancy of the crit room (Exhibit 1), claims that it can be designed with an occupant load of 100 square feet per occupant, when used as a classroom/critique space Group B occupancy. This is how they arrive at their figure of “49 or fewer persons” and their conclusion that, when used as a classroom/critique space, only one exit is required. 

This is a fundamental misreading of the Code: it confuses the occupancy class (in this case Group “B”) with the actual use of the space. The 2009 IBC Code and Commentary confirms the importance of this distinction: “Table 1004.1.1 [Table 1003.2.2.2 in the 2002 Code] establishes minimum occupant densities based on the function or actual use of the space (not group classification)… While an assumed normal occupancy may be viewed as somewhat less than that determined by the use of the table factors, such a normal occupant load is not necessarily an appropriate design criterion. The greatest hazard to the occupants occurs when an unusually large crowd is present.” (emphasis added)

In other words, the use of 100 square feet per occupant — a number appropriate for actual “business use” — is not appropriate for a classroom/critique space, where the density of occupants is far greater. Whether a value is chosen based on “classroom” use (20 square feet per occupant), unconcentrated assembly use (15 square feet per occupant), or some other rational value, it is clear that far more than 50 people can occupy the space, and that at least two exits are needed, even when the space is configured for critiques.

Jonathan Ochshorn

Charles Bliss then advised me that I could ask the Hearing Board to reopen the case:

From: Charles Bliss [Administrative representative of the NYS Uniform Fire and Building Code Capital Region-Syracuse Board of Review]
Date: Tuesday, August 6, 2013 4:20 PM
To: Jonathan Ochshorn
Cc: Mike Niechwiadowicz, Lawrence Burns, Ron Flynn, Tom Hoard, Kent Kleinman , Mark Cruvellier, John Siliciano, Gary Wilhelm, Bob Stundtner, Shirley Egan, Thomas Romanowski (DOS), Brian Tollisen (DOS)
Subject: RE: Code Appeal – Petition Number 2013-0250

I have not yet had the time to review your documents.  You have the option of asking the Board to reopen the case based upon new information.  That would take place at the next hearing which would probably be in September.  If the Board will not reopen the case, then your next option is to file an Article 78 proceeding against the State.

Charles P. Bliss, PE

I responded with the following email, requesting that the Hearing Board reopen the case:

From: Jonathan Ochshorn
Date: Tuesday, August 6, 2013 5:10 PM
To: Charles Bliss [Administrative representative of the NYS Uniform Fire and Building Code Capital Region-Syracuse Board of Review]
Subject: Re: Code Appeal – Petition Number 2013-0250

Hi Charles,

I would like the Board to reopen case number 2013-0250 and reconsider Exhibits 1, 3, 5, and 7. Do I need to make a more formal request, or is this email sufficient? 

Even though the Board sustained my argument regarding Exhibit 1, I remain concerned that Cornell appears to believe that the Hearing Board’s ruling supports Cornell’s intention to maintain only a single exit in the “crit room” space, as described in my prior email dated August 6, 2013 [copied above]. I request that the Board examine, and rule on, Cornell’s contention that one exit is sufficient for Group “B” occupancy.

Regarding Exhibits 3 and 7, I believe that Cornell provided misleading and inaccurate handouts and testimony, as described in my prior email dated July 31, 2013 [copied above]. I would like the Board to reconsider their ruling in light of new evidence concerning this misleading testimony.

Regarding Exhibit 5, I request that the Board clarify its ruling. If Sibley-Milstein-Rand Hall is a single building with a V-B construction type, as the Board stated in its findings, then it appears that Milstein Hall, even evaluated under the Board’s reading of Appendix K in the 2002 Code, is noncompliant.

Jonathan Ochshorn

The Johnson Museum Turns 40: All is Forgiven

The Johnson Museum has turned forty and is promoting an exhibition that ends September 1, 2013:

In conjunction with the Johnson’s fortieth anniversary, we asked architect and photographer Alan Chimacoff, Class of 1963, Arch ’64, to create a photographic essay celebrating the Museum’s architecture and its integration into the landscape of the campus and community. The Museum’s profile has become one of the iconic landmarks of Ithaca, visible from nearly every vantage point in town, so the early controversies surrounding its construction are still understandable: Would it block views from Franklin and Sibley Hall to the west? Obliterate the view of the lake from the crest of Libe Slope? Look out of place amid the New York State limestone of “Stone Row,” Morrill, White, and McGraw Halls?

Some of the “early controversies” were actually about the quality of the architecture itself; the most notable critique appeared in the Cornell Daily Sun in 1973, written by none other than “architect and photographer” Alan Chimacoff, together with colleague Klaus Herdeg — both had been teaching in the Department of Architecture at Cornell.

I’ve transcribed the entire article as best I could from a grainy PDF in the Cornell Daily Sun archives, but Herdeg and Chimacoff’s key criticism can be understood from this brief excerpt:

Hypothetically, meaning could exist in two spheres. First, the physical expression of the building’s functional organization (the famous shibboleth of Modern Architecture); second, the manifestation of an aesthetic and intellectual argument addressing itself to a range of historical and cultural issues which attach themselves to the project at hand. The Johnson Museum addresses itself to neither. With respect to the first sphere of meaning, it presents schizophrenic inconsistencies, the most blatant of which is the disposition of the gallery spaces themselves. The form of the building would suggest that the “great north slab” contained spaces of similar and perhaps repetitive use, while the spaces assembled to the south of “the slab” connote a contrasting, perhaps unique, set of uses. It appears contradictory that the gallery boxes are buried in “the north slab” and sculpturally expressed within ‘the great void.’

With respect to the second sphere of meaning, the building offers no contribution to the ongoing polemic of Modern Architecture, into which context it purports to put itself by virtue of its employment of the contemporary stylistic vocabulary.

Klaus Herdeg went on to apply this critique to the entire legacy of Walter Gropius at the Harvard Graduate School of Design (see The Decorated Diagram: Harvard Architecture and the Failure of the Bauhaus Legacy, MIT Press, 1983). I.M. Pei, architect of the Johnson Museum, studied under Gropius at Harvard after getting his B.Arch. at M.I.T. in 1940.

Also of interest is the fact that Chimacoff, along with other Cornell architecture faculty in the early 1970s, were “fired” in a great purge described by Colin Rowe in his recollections published in 1996 by MIT Press (As I Was Saying: Recollections and Miscellaneous Essays, Volume Two — Cornellianna, edited by Alexander Caragonne):

As far as I am aware, at Cornell the only thing which I did very, very wrong was in 1967. It was in Berlin in late December; it was in Westend; it was in the house of Matthias and Lislotte Ungers; it was late in the evening and most people had left; it was gently snowing outside and I was talking to Peter Blake, both of us thinking about Matthias as a species of Galahad; and it was in this way that Peter Blake instigated my move. “Why don’t you walk down the room,” he said, “and invite Matthias to Cornell?” So I did; and, since my politics prevailed, Matthias became installed as chairman at Cornell in 1969, that fateful year of revolution following the events of Paris the year before.

But the silliest thing I ever did. For my politics were injurious not only to Matthias and myself but also to Cornell. Coming from the Berlin of Rudi Dutschke, Matthias had caught something of that ardor, that fervor to make a clean slate and, during a six-month absence in Rome which I enjoyed in late ’69, a clean slate he had become determined to make at Cornell.

Not at all necessary. Not at all to be desired. But, since he could scarcely get rid of the faculty dinosaurs, it was now the younger faculty whom he was prepared to make expendable. A very sad story; and it was hence that something like a minor holocaust ensued. He had tried to get rid of Jerry Wells while I was away in Rome but he had failed; and then, in ’71-’72, it all broke out again, resulting in the firing of Alan Chimacoff, Fred Koetter, Roger Sherwood, and in Klaus Herdeg’s disgusted resignation. Finally resulting in a charge of the dinosaurs which brought about Unger’s own withdrawal.

A footnote after the second paragraph in Rowe’s recollections contained these lyrics written by Chimacoff, “derived from Gilbert and Sullivan’s H.M.S. Pinafore, about the Ungers period as chairperson at Cornell”:

I am the chairman of this architecture school
And a very good chairman too.
I’m very, very good, but be it understood
You must never mention the name Corbu.
What never?
Well, hardly ever.
We must never mention the name Corbu.
We must never mention the name Corbu.
Then give three cheers and ring a bell
For the energetic chairman at Cornell.

What’s the Point of Even Trying

New song; new video:

I wrote this song in the spring and summer of 2013. Apologies to all who have been quoted saying something along the lines of “If I knew I’d live this long, I would have taken better care of myself” (Mickey Mantle, Eubie Blake, George Burns, Mark Twain, and others). I also made use of an explanation given by Edvard Munch concerning his most famous painting: “I was walking along the road with two friends — the sun was setting — suddenly the sky turned blood red — I paused, feeling exhausted, and leaned on the fence — there was blood and tongues of fire above the blue-black fjord and the city — my friends walked on, and I stood there trembling with anxiety — and I sensed an infinite scream passing through nature.”

See production notes, lyrics, and embedded video. Remixed Sept. 2, 2019.

All vocals sung and all instruments played by J. Ochshorn
Arranged and recorded at home by J. Ochshorn using Logic Pro
Video shot with my old low-resolution Flip camcorder and created with Final Cut Express
Lyrics and music © 2013 Jonathan Ochshorn:

VERSE 1: what have i swallowed
what have i confessed
an act that can’t be followed
a fact i can’t digest
i ate it all, drank it down, kept it up with the best

VERSE 1 (second part): the morning after
got some coffee and some cream
mixed it with some laughter
like a madman in a mindless dream
the sky turns red, nature wakes with a scream

CHORUS 1: if i knew i’d live this long
i wouldn’t have wasted all those years
i might have found some younger friends
with more interesting careers
now everyone around me’s dying
everyone i knew before
what’s the point of even trying anymore

VERSE 2: i’ve been alone now
i’ve settled in this groove
i can’t stay in my home now
but i can’t say where i’d move
there’s nothing left, nothing right, and nothing to prove

CHORUS 2: if i knew i’d live this long
i would have taken better care
i would have got more exercise
put some color in my hair
if my life’s not satisfying
if i’m lying at death’s door
what’s the point of even trying anymore

BRIDGE: if i were to think this through
there’s still no way to write an ending
and if i act as if i knew
exactly what i was intending to do

VERSE 3: i’d be misleading
if i claimed there’s a design
based upon my reading
i’m not doing all that fine
just getting up, getting by, waiting here for a sign

CHORUS 3: if i knew i’d live this long
there would be so much more to show
i would have done the things i dreamed
of doing long ago
my regrets are multiplying
i’m becoming such a bore
what’s the point of even trying anymore
what’s the point of even trying anymore

Tallest buildings in the world that are no longer around

Since 2560 BCE, there have been only three buildings that were the tallest buildings in the world that no longer exist. The three are:

(a) Old St Paul’s Cathedral, London, 489 ft, built 1087–1314, destroyed in the Fire of London, 1666.

(b) Singer Building, 1908–1909, destroyed to make US Steel Bldg in the 1960s

(c) World Trade Center, built in the 1970s, destroyed in Sept. 2001

There are only three buildings since 2560 BCE that were the tallest building in the world but no longer exist: (a) Old St Paul's; (b) the Singer Building; and (c) the World Trade Center.

The claim that every other tallest building in the world still exists is based on the fact that from 2560 BCE until the Lincoln Cathedral was finished in c. 1300, the tallest building in the world was the Great Pyramid of Giza. Since both the pyramid and the Lincoln Cathedral still exist, Old St Paul’s must be the first tallest building in the world to be destroyed. Since then, there have only been two others.

That is amazing.

Sources:
Wikipedia: tallest buildings in the world and Great Pyramid of Giza

Milstein Hall code violations: formal appeal

After getting no response for over a year from the NYS Division of Code Enforcement and Administration (DCEA) concerning a complaint that I filed about building code violations in Milstein-Sibley-Rand Halls, I was advised by DCEA officials to file a formal appeal with the regional office of the State DCEA. I submitted this appeal on May 28, 2013.

A summary of these code violations (taken from the appeal document), as well as the appeal document itself, can be found here.

Site Plan showing Milstein-Sibley-Rand Hall (plan by Jonathan Ochshorn based on schematic site plan available on Cornell's Milstein Hall web site superimposed on a Google Map showing the Cornell campus).

“…no one should uncover or sit in the trustee seats for any reason.”

Just received this bizarre email notice from Cornell administrators:

For the rest of the semester and until after commencement the Milstein Auditorium will have two rows of the trustee seats up out of the floor. There are 138 seats in the sloped section. If anyone needs more seats we can add up to 40 more in front of the 2 trustee rows. Please note that no one should uncover or sit in the trustee seats for any reason.

Such a crass and obvious expression of our class society — the  surprising thing about it is not that the “trustees” are treated like royalty, but that the Cornell administrators who created this exclusive seating arrangement are apparently oblivious to its meaning.

Fortune…

When living in Hong Kong in 1997-1998, I discovered that Chinese fortune cookies do not exist in China, but rather are an American innovation. In my early days eating American Chinese food, I got used to the idea that the fortune cookies supplied with the check at the end of the meal actually did contain a fortune — that is, a prediction of what would happen to you sometime in the future.

from: https://www.barstoolsports.com

These fortunes always had a positive, or optimistic, character, since it would clearly be counter-productive for a restaurant to deliberately give its customers bad news.

At some point, however, the fortunes in fortune cookies seemed to change their character; in fact, they were no longer fortunes at all, but merely trite pronouncements about life.

from: https://hangwithbigpictureframing.com

Not having an actual fortune in a fortune cookie was discouraging to me, since there are already enough trite pronouncements about life available through mass media and news programming; it seemed hardly necessary to work my way through the plastic packaging of the cookie, and crack open the hard shell of cookie material, in order to get yet another annoying message about love, life, and work.

Yet I continued to pry open these strange clams of brittle dough, perhaps hoping that an actual fortune would emerge — something I could ridicule freely and with pleasure. Imagine my surprise, then, when I recently opened a fortune cookie at Ling Ling Garden restaurant in Ithaca, NY, and received neither an optimistic message about my future nor a facile observation about life, but a shocking rebuke and warning: “Your problem just got bigger. Think, what have you done.”

from Ling Ling Garden, Ithaca, NY

I was literally stunned. Was there a rogue employee somewhere in the fortune cookie production line planting dystopic messages in these cookies? And if so, why? And was this message/warning unique, or were there others like it? My mind raced feverishly thinking of the possibilities: “The man behind you has a gun. Your life is in danger.” “Hundreds of large rats have entered your home. Extermination is impossible.” “Your computer just crashed, and none of your important work was backed up. You will lose your job.”

In the end, we paid the bill and left the restaurant. I haven’t dared return.

Dorner on architecture

For architects, one of the more interesting aspects of Christopher Dorner’s “Manifesto” is his critique of the new LAPD headquarters building. Conventional accounts of the building claim that glass (i.e., transparency) in this context somehow corresponds to, or symbolizes, “openness” and “democracy”:

“In doing so, the LAPD hasn’t sought to simply upgrade facilities. It’s set out to build stations that embody its hopes for a new relationship with local communities — one of transparency and cooperation.” The Future of Los Angeles’ Police Stations: Is the LAPD misplacing something important in the process of building the next generation of police stations?

 

“In designing the replacement for their aging and unsafe headquarters, the main goal of the LAPD was to make manifest their desire for increased transparency while at the same time maintain a secure and safe environment for the building’s users and visitors… A goal for the project and design process was to strike a balance between the LAPD’s desire for openness and transparency while preserving operational security that the department required.” LAPD Police Administration Building

Such critiques can be best understood as instances of what Princeton philosopher Harry G. Frankfurt calls bullshit: Frankfurt suggests “that although bullshit can take many innocent forms, excessive indulgence in it can eventually undermine the practitioner’s capacity to tell the truth in a way that lying does not. Liars at least acknowledge that it matters what is true. By virtue of this, Frankfurt writes, bullshit is a greater enemy of the truth than lies are.”

Eric Jarosinski, in his Architectural Symbolism and the Rhetoric of Transparency — A Berlin Ghost Story [PDF], describes the history of this phenomenon — the equation of a building’s literal “transparency” with various cultural outcomes — in some detail: “The current discourse’s equation of glass with democracy and the future borrows from a tradition in pre-world war and Weimar-era architecture most closely associated with the designers Paul Scheerbart and Bruno Taut. As poet and architect, Scheerbart theorized a revolutionarily transformative ‘glass culture’ that would produce a new transparent landscape and a newly enlightened civilization.”

Here is what Dorner says in his Manifesto: “People who live in glass houses should not throw stones. How ironic that you [the LAPD] utilize a fixed glass structure as your command HQ. You use as a luminous building to symbolize that you are transparent, have nothing to hide, or suppress when in essence, concealing, omitting, and obscuring is your forte.”